Tag Archives: Traditional

The Feather-Swept Sky (version 5)

The Feather-Swept Sky (version 5)

I made this image back in June, 2013. It started out with using magic marker on paper. There was some bleed through from some rubbing alcohol I applied to drawings on previous pages. I incorporated the designs into the stains.

What you see here is a digital manipulation of the original drawing. It’s basically the drawing times four. I use mirroring techniques to accomplish what you see here, as well as in other images.

I realized that the process that I take in many of my creations is the process of unfoldment. Unfoldment is different than development in the sense that unfolding is organic, and flower like, whereas development is more machine like, and each machine developed can’t develop more without a designer making a new model.

Unfoldment is a process that takes place from within a living organism or being. So growth, life, and will come from within a living being, not a “lifeless” machine.

I titled this piece The Feather Swept Sky. I imagined all the feathers of birds sweeping the skies of earth and magically sweeping away all the pollution. This image reminds me of some Native American art and jewelry. It also reminds me of ancient Egyptian art work and jewelry.

I suppose it’s a religious and mystical image bringing us all back a reminder of ancient religions, tribes, and civilizations. It’s the wisdom from our past, and the magical beliefs people had. Especially the belief of respecting and honoring the earth as a living, breathing being, not a dead rock to be used up by the never-ending greed of one percent moguls.

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November 21, 2013 · 4:38 am

Yellow Tide (version 1)

Yellow Tide (version 1)

It looks like a lot of people liked Purple Tide, the last image I uploaded here last night. Well, this is Yellow Tide. It’s actually the predecessor to Purple Tide. It’s the same design, but the colors are inverted.

To be sure, this is part of a drawing I created with mixed media on paper, including magic marker and rubbing alcohol. Thinking of rubbing alcohol gives one a cool feeling, as this is how it feels when you rub it on your skin.

I used to live in southern California, and would visit the beaches there on the West coast every once in a while. The colors in Yellow tide remind me some of the memories I have of going to New Port, Dana Point, San Clemente, or Laguna.

Yet, this image is abstract enough to merely suggest a beach scene. In fact, if you get a totally different impression, then, by all means, let yourself explore that line of thought into your own imagination, and use this image as a doorway to help you get there.

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November 21, 2013 · 4:32 am

Wrecked Tangles (After the Crash) version B8

Wrecked Tangles (After the Crash) version B8

A lot of different media went into the original drawing for this image. I manipulated the image further after scanning it into the computer. It doesn’t have as many mechanical diagrams integrated into it as I’ve done with some of the previous Wrecked Tangles series.

There really isn’t a profound meaning I was consciously trying to communicate here. I just like the shapes of letters and alphabetical symbols. I like the patterns that they create, and I take note of compositions found in magazines and newspapers.

I cut out pieces from magazines in order to integrate them into the imagery characterized by my Wrecked Tangles art project. It’s really an ad hoc adventure that is open ended, and I often stumble upon new designs in the process of manipulating the collaged drawings I create from traditional materials.

Some of you whom I’ve met before have given me some of those materials, such as the old books on foreign cars and so forth. I plan on exploring more in the area of alchemical and mathematical symbols, as well as Greek characters, and, perhaps Chinese characters in future projects.

For now, please enjoy exploring the structures and nuances maintaining themselves within this image. It is intended to be displayed as a print. It is 15 inches by 24 inches, or 38 cm by 61 cm. Un-matted on archival paper, it is $200, and that includes shipping. Framed with a glass cover and matting is $400 including shipping. Please contact me by my cell phone number provided here on my art page here and leave a message.

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September 1, 2013 · 4:49 am

Concomitant Comets (version 1)

ConcomitantComets1ematted

This piece gives you a better idea of my creations in combining mosaicism, chimerism, and hybridization. It’s a chimera because there are three different source images composing this aggregation, hence creating a new “beast.” It’s a mosaic because of all the little bits and pieces of shapes formed into the composition you see here. It’s a hybrid because it is a combination of traditional media with digital media.

The text you see incorporated into the design is my own words obtained from a tweet I tweeted out on Twitter yesterday. It says “How do you just know relationship dynamics between people you’ve never met in your life? Do you have other senses than just 5 senses?”

It’s sort of a generic meditation, but, surprisingly enough, it still is relevant. People are still taught idiocy in school with respect to relationships, power, intuition, spirituality, and so forth. I see school as beneficial overall, but there is a ridiculous amount of information that is intentionally suppressed in order to keep people unquestioning, disempowered, and disconnected.

It is with this image, and many of my other images, that I hope to spark that creative urge; that prime cause; that initial output in people. Inspiration can trigger; it can awaken others to their own purposes; to their own visions; to their own dreams rejected from long ago. I strive to imbue my art work with a quality that has the power to raise the dead dreams in peoples’ psychic, emotional, and spiritual graveyards.

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