Here is my bio for the show I am having at O’Niell’s Pub for the month of January, 2014. The reception, again, will be held on January 13th (this evening), from 5 pm to 7pm. They are located in Nob Hill in Albuquerque, New Mexico. Please visit the schedule page of their website here for more information… http://oniells.com/oniells-community/nob-hill-event-calendar/
This image is a selection from the piece called Ploidy the Diploid. I posted that piece to Art of eVan a while back. I felt like Ploidy was just way too busy, and its composition didn’t have a center of interest, or any kind of visually gravitating forces on it, but I did see some possibilities I could flesh out within that picture though.
So I selected an inner portion of Ploidy the Diploid, and turned it about forty-five degrees. Though Ejecting Mass has a centered composition, it still maintains some offsetting imbalances in the way that it has been rotated.
It looks like it could be that the viewer is looking at the side of a transparent doughnut shape. These are called toruses in science. I was thinking about how a torus form can actually be like a cosmic recycling machine where matter is finely compressed into a jet stream that enters from one side and ejects out the other.
This, in a sense is like a black hole, but the emissions are ejected in only one direction with the above explanation. Perhaps my idea here can have emissions in both directions. I haven’t worked out those details in my imagination yet however.
What I hope to do here is lead you to a diving board in which you can decide whether if you want to take a dive into your own imagination after being inspired by whatever you find interesting, or feel triggered by in this image.
Version six of this image was posted back in September. In that post, I explained that it truly is a hybridized mixed media project. Bits and pieces of creation, whether if by the hand of nature, or by the hand of eVan, were gathered together and integrated on to an electronic canvas.
One thing that I didn’t describe to you, however, is that bulb-like flower with a blue stem on the right side of the picture. It’s actually from a diagram depicting the Bio-Savart law. This law is basically an equation describing the magnetic field generated by an electric current. An electric current, its proximity, length, direction and magnitude are related to a magnetic field in the equation used to compute the Bio-Savart law.
Explaining math to you wasn’t the intent of this project however. Even the title of this series is quite long and requires some attention. I thought of shortening the title to Pastel Dust of Lepidoptera, but I already posted a previous version (version 6) with the long title, so I decided to roll with what I originally started with in the title.
Dust can be found on butterflies, moths, and on the ends of stamens of flowers, and the colors of these naturally occurring dust-like substances are often a pleasurable sight to witness. Colorfully compacted dust is also used in oil pastels for artists to create art works.
I used a piece from my Wrecked Tangles (Encircled) series for the background of this work, which involved the usage of oil pastels. Dust is symbolic of time, as in the sand that is used in hour glasses, or, the sand that resides on beaches which seem to continue on forever into the horizon.
Dust is also symbolic of taking many small steps in order to complete a project. When you finally complete a detailed and lengthy project, you can relax at the end of your constructed beach and enjoy the beach-scape built by your own efforts.
A Synthesis of Matter and Mind (version 12)
I posted version 14 of this series back in October 2013 as you may remember. I’d created this version before version 14 obviously, but I decided back then to post version fourteen instead of version 12.
This particular version has more of a holiday feel to it, and it seems to express some characteristics of gold. Sometimes the drawings I make in pen or pencil end up looking like they have characteristics of gold when I manipulate them digitally.
While the original drawing is completely different in color scheme, the structure is the same. The original drawing actually only has one of the four smaller circles surrounding the main circular design in the middle.
When I started manipulating the original image on the computer, I wanted to explore and experiment with how it might look if I copied and pasted the smaller circular designs provided in the original drawing.
These series look like they could be sort of religious, like they might be architectural designs for Byzantine churches from the early Christian empire, but I wasn’t really trying to emphasize a religious message with this image. I just want people to enjoy looking at the mandelic designs I sometimes make.
While I just created this particular version of this drawing, the original was made back in 2008. It’s from a drawing done with graphite on paper. I scanned it into the computer back then, and made a few manipulations.
The title “What’s War Got To Do With It?” was inspired by a song Tina Turner made called What’s Love Got To Do With It? I wasn’t very geopolitically literate, even in 2008, so I really couldn’t express myself in words as to what goes on in geopolitical affairs, such as war for example.
The strokes and hatch-marks look like they are composed of gold. While gold has been a currency to park wealth at in history, it is not presently. In fact, the gold standard was un-hinged from the dollar in 1971 by president Nixon.
The centralized wealth of a nation and the geopolitical forces of war and defense are inextricably interrelated. I believe that the emotion of love is also permeated throughout global affairs as well. That’s why I made the title as it is for this series.
The year 2014 is right around the corner, and a few economic forecasters, such as Martin Armstrong, are blogging in their blogs that we are looking at the beginnings of war expressed as civil unrest, and revolution for the next year, and to last, at least, until 2016.
Some examples of what we are looking at here in America are already being expressed in European countries such as Greece, Spain, and Portugal. They are having such incredible problems with their failed currency–the Euro–that their unemployment rates are at 60% and more.
The Euro and the dollar are very dependent on each other, so when Europe really pinwheels at full speed in its economic downward spiral, this major catastrophe will ripple over to America. The dollar is by no means a stable currency, though it is presently the world’s main currency. This is not going to be a mainstay however. China’s currency has passed the value of the Euro in the market.
In a sense, this picture sort of symbolically answers the question for people What’s War Got To Do With It? Well, international economic failure has a lot to do with it, if not everything, since economies run on things such as confidence, love, marriage, generosity, peace, and so forth.
I uploaded the first series of this image several months ago, and it had a bunch of text I incorporated in that previous version that I had obtained from tweets I tweeted out at the time on Twitter. Well, I became annoyed with the text after a while, and really wanted to have this image portrayed without the text detracting so much attention from the image itself.
I decided to attempt to obnubilate the text by using various methods learned from earlier digital art training. You can still see some of the text a little bit, but that’s okay with me. It 1) creates a sort of subliminal effect and 2) allows for more ease on the eye enabling it to explore the textures of color and shape.
The word concomitant really means something that accompanies another thing. Like when a patient takes a certain medicine for a certain illness, sometimes another drug will be prescribed along with the primary drug for treatment. This is termed as taking a drug concomitantly with another drug.
In this picture, I determined that the circular shapes with tails on them looked like comets, and there are several of them, so I titled it Concomitant Comets. It is odd, however, that the comets are arising from what appears to me to be an ocean. Perhaps they are U.S.O.s (unidentified submersible objects) springing forth from a secret alien facility deeply submerged under an unnoteworthy part of the deep ocean far from land so as to remain surreptitious to the sea voyaging human mind.
The idea I was attempting to express on a first try with some markers here was the idea of so-called solid objects passing through different mediums, such as water, or air. The supposedly non-solid mediums are drawn in rectangular, cuboidal, and triangular objects and planes.
I was also trying to express an artistically expressed dimension of Plato’s idea of “shadows on a cave wall.” Some 20th century physicists sometimes compared the third dimension of reality as a sort of shadow of the fourth, which is time. Time is described as a continuum, and when it’s viewed as a sort of separate state from one’s self after participating in it, it can be seen as a sort of medium, or state, or condition.
I was also attempting to express another abstract way of depicting flesh and bones. Bones are solid, and flesh is more malleable. Objects passing through different mediums in time are like the bones, and their surroundings are like the flesh. This supports the notion that we are really not separate beings from our environments, but our environments are really extensions of ourselves.
I first thought of titling this one The Board of Many Reflections, but then at the last moment I saw the wit in titling it The Motherboard of Many Reflections.
The physical source from which this piece is derived was painted on wood with assemblages attached to it. I flipped around the word “many” you see in it several times in order to play some tricks with the eye.
Other than that, I don’t really have much more to say about this piece. I got quite involved in digitally reconstructing the source pieces composing it however.
I just feel that it’s like a sort of chess-board, yet, because it has been hybridized into an electronic manifestation, it had to take the route of being a motherboard. Mothers are the sources from which everyone springs in physical life during and after birth, so it has references to the female powers for which much of life is played upon.
While I had the time, I thought I’d begin the D series for this near-future oriented retrospective on the current state of humanity. I already uploaded the first image for the C series, and I plan on making a variety of variations and sub-series within it, as well as the same for the D series.
The star shape in the upper left corner of the picture is actually a piece of cardboard in a star-shape. I pasted it to a rectangular piece of cardboard for a base. Of course I primed everything, and then I sanded down some of the rough spots. I had to do that because I’d also pasted some paper tissues to the surface in order to give the plane some more texture to work with when I added all the other media on top of it.
As you can see, I pasted pieces of cut-outs from magazines, as well as from print-outs, on to the surface. These features have a sort of window-like character to them. If the picture were animated, it would look like there are many different activities going on behind a foreground of pastel and marker media.
With this work, I was able to successfully integrate some more three dimensional qualities, as the simple house-like shapes over off to the right of the picture make it look like the viewer is looking down at a neighborhood.
I drew in some keyboard characters on the picture because I really like the shapes of letters and characters. So many things that are commonly used for utilitarian purposes attract my attention. I feel like they have other aesthetic qualities to them that people most often ignore. Not only that, but utilitarian tools and objects can be combined into seemingly nonsensical combinations and aggregations.
A lot of my Wrecked Tangles ideas look like they are what a visual trip through a subconscious mind and its digestive activity after consuming data and information surrounding it in various environments. Much of our culture is pure advertisement, and commercialism, so I’m giving some visual perspective on what your subconscious mind does in breaking apart and assimilating everything into something manageable to yourself.
I’ve been working on finishing up this piece for the last couple of days. A previous phase of this mixed media creation is actually a part of Future Bell-Tops, a digital media piece that’s in the Traditional and Electronic Hybrid album.
I didn’t know what the heck to do with this recently unfinished piece. It had just been hanging around collecting dust for like almost a year now. I was undecided as to what category of creation I’ve already standardized for some of my creative outlets, i.e., the Micro-Chimerisms, the Paranormal Portrait Project, or the Wrecked Tangles project.
It was much closer to the Wrecked Tangles ideas, so I decided to make it the next series for the After the Crash continuation of the Wrecked Tangles project.
I realize all this weaving through the paths of my imagination and creativity can be confusing, but I actually find it fascinating and fun to explore. I hope you can share my excitement.
This piece has nails, a mesh of poultry wire, auto mechanic rags, wood, a small computer card, pastel, acrylic paint, oil paint, and cut-outs of print outs and pictures from old books incorporated into it. It truly is a work of mixed media. And on top of that, this piece has now been hybridized since it’s now scanned for usage in digital manipulations.
I don’t have any specific meanings, or ideas tied to this image. It’s more of just an expression to everyone of how different, and seemingly unrelated materials can be combined into works of art, allowing all the atomic particles and molecules composing it to express themselves through an unexpected artistic venture.
Art of eVan 