Category Archives: Art of eVan

Concomitant Comets (version 1)

ConcomitantComets1ematted

This piece gives you a better idea of my creations in combining mosaicism, chimerism, and hybridization. It’s a chimera because there are three different source images composing this aggregation, hence creating a new “beast.” It’s a mosaic because of all the little bits and pieces of shapes formed into the composition you see here. It’s a hybrid because it is a combination of traditional media with digital media.

The text you see incorporated into the design is my own words obtained from a tweet I tweeted out on Twitter yesterday. It says “How do you just know relationship dynamics between people you’ve never met in your life? Do you have other senses than just 5 senses?”

It’s sort of a generic meditation, but, surprisingly enough, it still is relevant. People are still taught idiocy in school with respect to relationships, power, intuition, spirituality, and so forth. I see school as beneficial overall, but there is a ridiculous amount of information that is intentionally suppressed in order to keep people unquestioning, disempowered, and disconnected.

It is with this image, and many of my other images, that I hope to spark that creative urge; that prime cause; that initial output in people. Inspiration can trigger; it can awaken others to their own purposes; to their own visions; to their own dreams rejected from long ago. I strive to imbue my art work with a quality that has the power to raise the dead dreams in peoples’ psychic, emotional, and spiritual graveyards.

1 Comment

Filed under Art of eVan

The Back-Stabbed Cesspool (version 7)

TheBackStabbedCessPool7ematted

 

Here is The Back-Stabbed Cesspool. It’s derived from a pencil drawing I created back in 2008. I was working at Convergys, a call center at that time, and was creating works such as this, and developing a couple other styles.

The title comes from this idea that the world, as I often see it, is one big cesspool of souls seeking vengeance on others, either consciously or unconsciously; but mostly unconsciously, as the factor of needing social acceptance and saving face is a core trait to human beings.

The above explanation was derived from the fact that I would see drama both on the phones and off the phones every day at work. From bureaucracy in management, to petty emotional power struggles between romances and workers. It all just seemed like I was back in middle school.

Working for an outsourced AT&T public duping operation really gave me an eye-opener as to the real state of humanity. I say this realizing that it sounds like a statement of scientific absolutism, but every work place I have worked in has rendered some kind of drama or power struggle or another.

Another facet to my notion of vengeance and backstabbing was obtained from a book called A Course In Miracles. In it, the book describes how this world is merely a form of vengeance. When I read that, it didn’t make sense to me at the time, but experience after experience left me with more of a conviction of that abstraction.

Leave a comment

Filed under Art of eVan

Lunar Equipment (version 3)

Lunar Equipment (version 3)

At long last I relieve you with my promise to post this image. While it is different than the background to my Twitter profile, it still is essentially the same graphics, just with different colors.

A day after I made this image, I went to a cafe to do some writing. While I was writing, several people started gathering around an area in the outside section of the cafe and looking up at something. I could see them through the large windows, but I couldn’t see what they were looking at.

My curiosity got the best of me, and I said “I’ve got to see what everyone’s looking at” while getting up and going outside to see what was so eventful. A woman I walked up next to said to me that “it’s a big moth–about five inches big” as she pointed up towards the ceiling in the moth’s direction.

I didn’t realize that I had just made an image with some moths in it the night before, but after observing the strange all-black moth and sitting back down at my seat, I recalled what I had created. I felt those exciting subtle pangs of recognizing this synchronistic event as I made the association.

Upon a little more association, I connect the meaning of moths to the moon, and how the moon associates with lunacy. Moths wildly flying around sources of light in the night behave like lunatics as humans might define it. And there have been some studies that reinforce superstitions with respect to full moons and rises in strange behaviors in people.

Leave a comment

August 13, 2013 · 4:52 am

Ida (version 1)

Ida1ematted

Meet Ida. I had been wanting to create some sort of monstrosity with a machine or device in combination with some human appendages and/or organs with an image. I just like the idea of creating new combinations of organic life, cybernetic life, and even immaterial life forms. I suppose this preference is associated with mosaicism, and chimerism. I hadn’t realized that the terms “mosaic” and “chimera” were related. And, furthermore, I had no idea that both of those terms have to do with biology. I thought that a chimera only referred to a beast from Greek mythology, and mosaics were from the Byzantine empire during the descent of the Roman empire. Mosaicism comes from the idea of cells and how cells on organisms create mosaic patterns. Chimerism obviously comes from the idea of combining multiple different animals and species into one beast. The mythological chimera is an example.

As you can see, I keep on pushing my Wrecked Tangles idea to the fullest extent that I can take it. It’s an attempt to prove to myself and the world that one or two of the most basic shapes–the circle and the square–can be used in near infinite combinations; sometimes with surprising results. I use certain techniques, however, to give a visual metaphor to this style for these series in order to help myself and my audience link them together with, hopefully, not too much confusion.

There is an eyeball inserted into a picture of a heavy duty flash-light. The eyeball was an image I obtained off of the internet, while the flashlight is an image I cut out from a magazine and pasted onto a primed piece of cardboard. The woman’s legs were also cut out from a magazine. I’m fulfilling, again, my notion of mosaicism, chimerism, and also hybridization. The idea of hybrid comes in because our culture is in the process of switching over from paper-based means of education, communication, and documentation to electronic means. This conflict manufactured by the societal push into more advanced computerization of human life allows me to use any media I want in order to create all kinds of new and wild ideas.

1 Comment

August 13, 2013 · 4:18 am

Hyperbole (version 1)

Hyperbole1ematted

Hyperbole literally means an excessive throw in its root words. It looks like the exclamation mark is being thrown across the picture plane in this image I just created. It is part of the B series to my Wrecked Tangles (After the Crash) art project. My subconscious mind wanted to show you all a visual depiction of a hyperbole. A hyperbole is really an exaggeration, like when someone says “holy #%% #!,” or something like that. But a hyperbole is really more of an obvious exaggeration, assuming the listener has a sense of humor and isn’t too gullible.

The exclamation mark seems to be boomeranging across the picture plane, thus giving a visual description of overthrowing an exclamation. There is also the letter F embedded in between the various patterns and matrices giving the viewer’s subconscious mind something to ponder. Like, what does F refer to? Could it mean friend? Fool? Fly? Forecast? F–k? F could really refer to anything and, depending on the state of the viewer, one can project whatever mood one is in at any given time.

The overall intent is to create a sort of dream catcher, but for the physically awake mind. It gives some structure and order as a focal point for someone to gaze into while puzzling over life’s dilemmas. I hope that my viewers Find some conclusiveness to whatever issue seems to be ailing them. That is, if they want to. Some people like to hang on to their problems, as it gives them an excuse to continue a set of behaviors for what they feel to be purposes for survival, social standing, and for reproductive activities.

So, enjoy throwing your mental exclamations into this fine fraction of a matrix, and let the answers to your problems quietly come into your mind after letting them go into it.

1 Comment

August 6, 2013 · 7:00 am

Fathers Who Never Sleep (version 1)

Fathers Who Never Sleep (version 1)

Note: I just decided to rename this piece the title of this post: Fathers Who Never Sleep (version 1), instead of the awkward: Our Lord Who Art in the National Insecurity Agency (version 1).

I’ve been reading some about the mass psychology of fascism, and the conditions that create the necessary atmospheres, and, ultimately, the destructive leaders of fascism. It is the de-powered, and indoctrinated masses who are the driving forces behind fascist governments and leaders.

Unfortunately, America is taking the route of fascism considering all of the freedom killing laws that Washington is burying the United States Constitution with. We now have a multi-billion dollar spy agency–the National Security Agency–collecting all data it possibly can from EVERYONE in the whole world. The data that they collect is unlimited. From medical records to all online activity to video recordings of you wherever you go if there is a camera near by. There are cameras on every street corner in the cities now.

This essentially is a complete violation of the Fourth Amendment to the U.S. Constitution. And, furthermore, it has full liberal support, whereas the Patriot Act, signed by George W. Bush (warrantless wire-tapping [a less serious offense]) was completely opposed by those same liberals.

A general named Keith Alexander is the head of the NSA, and he gets whatever he wants when it comes to funding his digital spy agency that puts the KGB to shame. Because western cultures are founded on patriarchies, this leads to patriarchal religions as well as governments. The archetypal father figure is the symbol of security, safety, protection, leadership and head of the family traditionally found in western cultures.

What this leads into on a mass scale, psychologically speaking, is paranoia, sexual repression, and fear when the father figures in government get blinded by their own passions, fears, and needs for more power. I made this image as a symbolic representation of the insecure general who heads the NSA watching you and collecting information on everything you think, say, or do twenty-four hours a day, seven days a week.

It’s really a mockery of the fascist and pathetic paternal parodies composing the decomposing edifices of what used to be a semi-functioning government within a republic that tried to be a democracy.

1 Comment

Filed under Art of eVan

Future Bell-Tops (version 2)

Future Bell-Tops (version 2)

Version one of this series of images is posted on my art page on Facebook. I decided to post the second version here as a starter for my new blog here on WordPress.

Future Bell-Tops pertains to the bell-bottoms that the legs you see running in the picture have on as pants. I thought of how dreams have a tendency to be so hybridized with so many different times and places that it turns you on your head, and, if you wear bell-bottoms as pants, dreams turn your bell-bottoms into bell-tops.

Alas! What else can I say? I suppose that I have an intent to create more images along this line of hybridizing generic imagery I find online, and the imagery I’ve created by traditional means on my own.

Leave a comment

July 29, 2013 · 4:01 am